莆仙生活网
当前位置: 莆仙生活网 > 知识库 >

黑暗中的舞者观后感

时间:2024-12-13 12:26:42 编辑:莆仙君

你看过最感人的电影是哪一部?

从某个所谓“人生必看的五十部电影”中挑出来的几部

1. 《西线无战事》
奥斯卡授奖以来第一部具有强烈思想性的作品
电影史上“最伟大的反战电影”之一
揭示了惨绝人寰的战争实况,击溃了所谓的“爱国”迷梦
3. 《乱世佳人》
好莱坞“第一巨片”
展现着旷世爱情的绝世佳作
奥斯卡史上一个不可逾越的“至高点”
5. 《公民凯恩》
世界电影史上的一次重要实验
反映一个浮士德式的人物在物质世界中的生存状态
一部纯粹的“电影的诗”
8. 《罗生门》
挖掘人性丑恶的巅峰之作
在国际影坛上产生重大影响的第一部日本影片
标志着日本的电影艺术进入一个新纪元
9. 《罗马假日》
流芳百世的浪漫经典
电影史上爱情文艺片的典范
温馨浪漫中充满了艺术的美感
14. 《教父》
一部令人拍案叫绝的成功之作
一部最具史诗气魄的揭露黑社会明争暗斗内幕的影片
一幅气势恢弘的“社会图卷”
15. 《星球大战》
20世纪最为重要的文化事件之一
科幻电影史上最为经典的作品
影响了整整一代人
20. 《红高粱》
中国新时期电影创作的新篇章
中国电影走向世界的新开始
犹如一声霹雳,惊醒了西方人对中国电影所持的蔑视与迷幻
25. 《情人》
一段让人痛彻心扉的异国之恋
一段大胆、炽烈、郁闷而又无奈的叛逆恋情
一堵无法逾越的经典叹息之墙
26. 《沉默的羔羊》
美国社会问题片的经典之作
一部令人紧张得透不过气来的心理分析片
好莱坞最令人激动的恐怖片之一
28. 《霸王别姬》
通俗中见斑斓,曲高而和者众
一部绚烂、令人陶醉的史诗
29. 《辛德勒的名单》
探寻和讴歌在特殊环境中的人性发展轨迹
具有巨大影响的震撼力和深沉而令人痛苦的艺术魅力
深具史诗的格局和撼人心魄的情绪力量
31. 《阿甘正传》
美国“反智电影”的代表作
充满着好莱坞电影回归的保守主义精神
以小人物的经历透视着美国的政治和社会史
33. 《钢琴课》
一个凄美感人而又令人迷醉的爱情故事
细腻地展现了维多利亚时代一个哑女深邃的情感世界
反映女性意识觉醒的佳作
34. 《阳光灿烂的日子》
20世纪90年代中国电影的“意外之喜“
对“文革”时期青少年的生活状态和青春期困惑的真实描绘
标志着中国电影跨入了一个新的时代
35. 《肖申克的救赎》
一部揭露美国司法黑幕的巨片
一幅用友谊和希望描绘的生命画卷
蕴涵人生哲理的喻世之作
37. 《这个杀手不太冷》
一部偏重于暴力美学的动作巨片
令人心碎的问题少女与中年杀手的悲剧之恋
满含绕指柔情的都市寓言
38. 《七宗罪》
电影史上最成功的心理惊悚片
一幕让人发狂的人生戏剧
一部具有浓厚哲学意味的警世录
39. 《勇敢的心》
一部具有深刻民族主义和政治内涵的史诗巨片
一段缠绵而令人荡气回肠的铁血柔情
一部悲壮的血泪传奇
43. 《美丽人生》
一部超越常规的黑色喜剧片
一服医治战争创伤的最佳良药
拥有温暖的质感,清新、达观,而又生机盎然
45. 《楚门的世界》
一则荒诞无稽的人生寓言
对惟利是图、践踏人权的社会现象的强烈讽刺
有力地批判了“媒体万能”的价值观
46. 《搏击俱乐部》
一则极具颠覆性质的社会生活寓言
一部真正意义上的世纪末的现代启示录
一幕以死亡为主题的黑色喜剧

顺便加上几部:
电锯惊魂1、2;午夜凶铃(恐怖经典)
活着 鬼子来了 ——中国经典
慕尼黑;低俗小说
杀死比尔 ——外国无厘头
色即是空;欧洲性旅行;莱斯利·尼尔森系列;惊声尖叫系列——爆笑经典
魔戒三部曲,黑客三部曲——视觉经典。,


高分求好看,感人的电影

《恋空》《我脑中的橡皮擦》

《山楂树之恋》妈妈在爱我一次
诺丁山-----------------休格兰特和大嘴美女茱莉亚罗伯茨合演的。很温馨很感动。
情书---------------缘分上天注定~
这个杀手不太冷---------一份特殊的爱`~~
天使之城---------------让人感动的爱情
wall.e-----------------特殊的爱情~~~~
电子
ps,i love you----------07年一个新片。很不错。温馨的爱情。感人。推荐!
if only----------------哭啊~特别的感人啊~
触不到的恋人(美版)-----讲的是时空的错落的恋人,比异地恋更高境界,这可是超越时空的爱恋
傲慢与偏见-------------这个是最爱....
剪刀手爱德华-----------想要得到真爱真的这么难吗?
人鬼情未了-------------这个不用说了啊~经典啊~~
爱情三选一-------------温馨的小片子!记得看的时候哭了! 叙事结构很有心意!也是那种让人看完心头暖暖的片子!
两小无猜---------------这个怎么能少呢
恋恋笔记本-------------这是我看一次哭一次的电影....表达了人类对于真爱的渴望..
~
浓情巧克力-------------强尼戴普和朱丽叶特比诺什强强联袂出演!~也是那种温馨感人的!~
魔术师-----------------看到最后你一定会有惊喜
玛丽和马克思-----------我也不知道这算不算爱情~
----------------------------------cmy整理请勿复制----------------------------------
港台:
不了情-----------------这个是个人都会哭死吧
天作之盒---------------超爱的一部港台电影,哭死。很冷门但是很棒
忘不了-----------------张柏芝早期作品~很是感人
偷偷爱你---------------很喜欢的一部老港片,看的觉得很甜蜜
星月童话---------------哥哥张国荣和常盘贵子演的!这就是爱情啊! 经典!还有什么好说的!推荐!!
大话西游---------------紫霞的这段爱~相信没人不感动吧~
重庆森林---------------很有特色的港式爱情片~
不能说的秘密-----------额,地球人都知道?
----------------------------------cmy整理请勿复制----------------------------------
日韩:
情书-------------------你过的还好吗?
现在只想爱你-----------这片子是那种纯到让爱看某些片的男人看不下去的地步!
悲伤电影---------------很悲伤~很悲伤~的爱情
彩虹女神---------------我实在是喜欢树里才去看的,的确不错
我的机器人女友---------小出惠介灿烂的笑容配上超级美人绫濑遥~~哇塞~
假如爱有天意-----------韩国片..总觉得太作..有点非要赚人眼泪的感觉..不过这个片子还是比较适合情侣一起看的!
穿越时空的少女---------看到最后,内心触动~
大约在雨季-------------纯纯的美好的爱情~~~
在世界中心呼唤爱-------我看过我也记不清多少次了...心中的纯爱片经典
比悲伤更悲伤的故事-----看名字就知道很悲伤啊~~~
百万富翁的初恋---------这部很火~~~


急需"黑暗中的舞者"的英文影评

It feels awkward to attempt to put Dancer in the Dark into words. Von Trier's film is one of those movies that truly change the way we think about cinema and its possibilities, and for such a film, words do no justice. Dancer in the Dark centers around Selma (Björk), a factory worker, who loves her 10-year-old son above everything else in the world. Selma is a happy, innocent creature who enjoys musicals for "nothing bad ever happens in them". These elements (mother's love for her son, joyfulness of musicals versus the hardships of every day life) create a whole unlike anything ever seen on silver screen. Selma is rapidly losing her eye sight, but not her vision: she's the 'dancer in the dark' who is prepared to sacrifice herself to keep the light in her child's eyes. Very early on it becomes obvious that this story can't have a happy ending. However, once you've accepted it, you can put your mind at ease and see the film as it unfolds from Selma's point of view. And what a view it is! Björk gives a performance of a life time - this little woman with a huge voice is all emotion all the time without ever appearing overtly dramatic or cheaply sentimental. There's no weak link in the rest of the cast either, Peter Stormare as Jeff, Catherine Deneuve as Kathy and Siobhan Fallon as the prison guard to name but a few. The biggest star is still the director himself; von Trier demonstrates his talent in a superb fashion by both telling a simple story that will most likely break you heart and examining the ever-persistent ills of the life of the lower class of the American society. What about the film's musical character then? This is where von Trier triumphs the most by understanding the very essence of the whole genre - hope; hope that will live in our soul for ever if we'll only follow our heart.


跪求《黑暗中的舞者》的英文影评

The reviews were extremely black and white for this art-house film. People were either enthralled or bored to tears by the whole experience. There seemed to be no middle ground. Now, that's my kind of movie. Any picture that can reap awards (Cannes Film Festival) and get lambasted by the general public at the same time will always pique my interest. In respect, it was a rich, rewarding odyssey, much easier to get through than, let's say, even half of "8½."

My initial respect for the unique, uncompromising style of Danish director Lars von Trier goes back to his compelling work in "Zentropa" and "Breaking the Waves," both bleak, surrealistic studies of man vs. reality. His pieces usually center around some innocent, simple-minded, self-sacrificing soul who inevitably succumbs to the cruelties of life.

I found the central role of Selma (as played by the extraordinary Björk) to be very much the emotional equivalent of Emily Watson's touchingly childlike, near-sociopath Bess in "Breaking the Waves" -- blessed and cursed with a naive, soulful purity. Selma represents one of God's little quirks of nature. A bespectacled, pathetically infantile little ragamuffin completely out of touch, Selma has somehow survived like the runt of a litter would - through luck, will power, and the extreme kindness of those around her. An impoverished Czech-born emigré living in a small Northwestern U.S. industrial town during the mid-60s, this luckless creature manages to eek out a meager Airstream-like existence as a factory worker, despite the fact she is legally blind.

Selma is, amazingly enough, a mother. Seemingly ill-equipped to care for a child much less herself, she has nevertheless managed to provide for the 12-year-old boy, while nurturing the child as a young girl would her rag doll. The fairly adjusted boy suffers, however, from the same optic disease as the mother, while the crux of the story revolves around her attempts to save up money for his inevitable operation.

The fascination of "Dancer in the Dark" lies in Selma's musical world. With her eyesight failing, her ears become the only sense of joy, falling periodically into bouts of fantasy anytime she grabs onto a rhythm or beat (like machine sounds, train engines, etc.), wherein she becomes the star of her own working-class musical production. These compelling sequences become mere extensions of her real-life circumstances, i.e., the musical interludes at work will include the factory itself as a set piece and the other workers as her ensemble. A strange mix of Fellini neo-realism and Busby Berkeley illusion, these daydreams (sparked by Vincent Paterson's inventive choreography and von Trier's purposely puerile lyrics) become her only escape. Björk's odd musical talent and vocal style may be an acquired taste, but she is so mesmerizing here it becomes a non-issue. In addition, there are brief moments of levity as a hopelessly inept community theater production of "The Sound of Music" goes into rehearsals with the very awkward Selma playing Maria.

The subordinate cast is equally in tune. The wonderful, beguiling French star Catherine Deneuve downplays her ethereal beauty as Kathy, Selma's co-worker and trusted friend. And a strange, maternalistic friendship it is indeed, for this woman seems to have no other purpose in life than to be this girl's eyes and hands, looking out for her practically day and night. Peter ("Fargo") Stormare shies away from his ruthless killer image with this touching portrayal of a sensitive, almost pitiable boor who only has eyes for the ungainly Selma. David Morse is gripping as a seemingly compassionate but despairing policeman whose one desperate act involving neighbor Selma results in tragedy. Joel Grey has a brief, telling moment near the film's end as a faded musical star idolized by Selma.

As in his other featured works, von Trier's gritty, hand-held camera work may be dizzying to the point of distraction at first but its overall impact to the stark proceedings is unquestionable. Moreover, the grueling paces he puts his actresses through to achieve absolute truth borders on misogyny but the rewards are tenfold. As in the case of Emily Watson, Björk has never shined brighter as an artist.

A harrowing, refreshingly original piece of filmmaking that should be experienced by anybody who dares to be different.